The Aesthetic of the Macabre: A Critical Look at Junji Ito’s Horror of the Bizarre

Sweet Talk

Junji Ito has gathered something of a cult following here in America as of late. Already known among horror lovers in Japan, Ito is, in my mind, more closely aligned with the weird fiction of old than with the contemporary horror genre as it stands in this country. I read his masterpieces, Uzumaki and Gyo a few years ago, as well as a few of his short stories. I recently encountered a list of his works with links to each, and worked my way through a few I hadn’t heard of. We at Sweet Talk tend to lean towards social science, but I’ve been hoping we might plumb deeper into the humanities. Art criticism seems about as far from science as it gets, so with Junji Ito fresh on my mind I thought I might engage in a little.

I will start with Uzumaki, move to Gyo, and conclude with…

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